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Requires a 9V 100 mA center negative power supply (not included). It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart.Ĭapable of extreme sonic mayhem, it can also be used with restraint to add unique character to your sound. Two reverse delay modes can be used for reverse solos or with pitch shifting for crystal echoes.īeyond pitch shifting, a phase shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. Repeats can continuously shift up or down, or shift once and remain at that pitch. Red Panda Raster V2 Delay - Control Overview And Web Editor Demo 2,826 views Today we will be going over the primary and secondary controls of the Red Panda Raster V2 Delay.more.
![red panda raster demo red panda raster demo](https://i.pinimg.com/originals/2d/fa/f2/2dfaf2a0b7a3835e63c7eb6671fc65ac.png)
Slight detuning creates chorused delay sounds, while wider intervals with feedback create strange organ-like textures. The detuning mode gives smooth pitch changes from a fourth down to a minor third up. The company recently unveiled a remote pedal bar with four footswitches appropriately called Remote 4 (selling at 99), which allows for easier toe. Repeats can be pitch shifted up or down by an octave in semitone steps. The Tensor is the latest special effect pedal by Red Panda, with reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Three pitch shifting algorithms are integrated into the feedback loop. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up.
![red panda raster demo red panda raster demo](https://images.equipboard.com/uploads/item/image/31128/red-panda-raster-l.jpg)
The feedback control covers a wide range from slapback delay to noisy, textured infinite feedback loops. The low end of the delay control allows you to precisely dial in resonant feedback sounds. The core of the Raster is a clean delay with up to 750 milliseconds delay time. It delivers a wide range of sounds including harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes. This thing’s crazy and watching a demo would be better than reading my poor explanation above.The Raster is a digital delay with a pitch shifter integrated into the feedback loop. It allows for manipulation of delay time, pitch shift, and volume, with the different waveforms and envelope filters. In that way, the Raster 2 is as much synth as tone augmenter. Instead, like many modern algorithm-driven glitch pedals, the Raster provides a way of interacting with sound. Where it differs from the Hedra is the waveform functions, the frequency shifting, and the envelope functions. You could call the Raster 2 a delay pedal with a pitch shifter and modulation, but that would set up inaccurate expectations about the pedal’s sound and function. It definitely allows a lot more creativity, so whilst less traditionally musical I’ve found it to be more inspiring. This has a lot of crossover with the Hedra, giving pitch shifted delays, but with a lot less… precision? The Hedra typically works on set intervals, whereas the Raster is more of a linear scale that you have to dial in yourself by ear.
![red panda raster demo red panda raster demo](https://i.ebayimg.com/images/g/rjAAAOSwiOdfY3sA/s-l300.jpg)
I’ve found the reverse delay and single shift mode a lot more musical and easy to use.
![red panda raster demo red panda raster demo](https://images.reverb.com/image/upload/s--Pg0BYW5v--/f_auto,t_supersize/v1585942396/yk12iebghz1gh5bnrzv6.jpg)
The continuous forward delay (where it takes your signal and shifts it in pitch or frequency, then shifts the delay again, and again, and again…) does a great Rainbow Machine impression and gets weird pretty quickly. It does a pretty fantastic sounding digital delay out of the box, which can even do a decent analog delay impression with the low pass filter and modulation. As with pretty much every RP pedal, you can make something pretty tame but great sounding straight out of the box, it’s when you starting messing with the alt functions and, with this pedal, the shift footswitch that you start to get a little crazy. I’m an idiot, essentially.ĭidn’t get to use it at the gig, but I’ve spent most of the day playing around with it and have somewhat scratched the surface. I wired this in last night prior to a gig, obviously then spent the next hour trying to figure out why I wasn’t getting any sound out, until I realised I had put the input in the output and vice versa. Hi, I’m the guy who yells about the Context v2 whenever someone asks on here what reverb to get.įirst things first, chain is: Aqua puss > Hedra > SSBS Mini > Golden Boy > VPJR > HX > HX effects loop out > Ottobit > Particle > Echosystem > Context > Raster > HXĪs you can probably tell from the board, I’m a big fan of Red Panda and delay pedals, so this was pretty much a must buy from the moment they announced it.
![Juanna la locad childhood](https://loka.nahovitsyn.com/40.jpg)